High summer, and my eyes can't get enough of what I see. The bees have a surfeit of flowers, nectar is everywhere. There is too much of everything good, all at once. Everything is lush and ripe and overgrown, but the heat makes us sleepy and slow.
A piece of writing that I read nearly everyday, from Eva Zeisel, the exquisite designer:
"To me, beauty depends on one single person, on the person who looks at something and feels joy in looking at it because it pleases him without second thoughts, irrespective of whether is is useful, whether it is art, or whether it is in good taste. It is the love affair of the eyes with the things they focus on. As its enjoyment is immediate and spontaneous, it is quite impossible to put into words how to make beauty." (italics, mine)
Showing posts with label dye. Show all posts
Showing posts with label dye. Show all posts
Saturday, July 31, 2010
Friday, January 15, 2010
Dip dye
A new adventure, but something I've been thinking about for a long time. Still experimenting, but now I've got something in hand to look at.
Tuesday, December 8, 2009
Waiting for the Blizzard
I said I was going to call this post, Blue Balls. Well, they are. I've been making them and dipping them in my dye jar, in a double boiler, watching the dye move into the wool, where it dangles from a string, at just the right depth, from a chopstick. I hold the dye bath at the simmer until the right shade appears. It's a good job for someone like me who generally likes to spend a lot of time just standing-there-a-lookin' (from my old favorite folk song about that fine man, Old Dan Tucker).
So far, the blizzard hasn't amounted to much, but it's sure to fall tonight. Meanwhile I'll show you this new store activity: a paper snowflake cutting station. We have recycled butter paper, and scisssors. Anyone who comes in can take a pair and start snipping. So far some young girls cut flakes, a grandmother, a woman I don't know who was proud of her flake, and a man who hadn't made a snowflake in years and years. Elizabeth, my good friend, came in and we cut snowflakes together while we caught up on the news of our lives, occasionally pausing for the reveal of each newer, better, more pointed snowflake. I call it fun! Let the clippings fall to the floor. They look like more snow. Snow on snow on snow.
So far, the blizzard hasn't amounted to much, but it's sure to fall tonight. Meanwhile I'll show you this new store activity: a paper snowflake cutting station. We have recycled butter paper, and scisssors. Anyone who comes in can take a pair and start snipping. So far some young girls cut flakes, a grandmother, a woman I don't know who was proud of her flake, and a man who hadn't made a snowflake in years and years. Elizabeth, my good friend, came in and we cut snowflakes together while we caught up on the news of our lives, occasionally pausing for the reveal of each newer, better, more pointed snowflake. I call it fun! Let the clippings fall to the floor. They look like more snow. Snow on snow on snow.
Saturday, March 28, 2009
Cup o' Color




Wool rag is my favorite material to weave into rugs, runners and coverlets. Strips are narrow, about 1/2 inch wide, and cut only as I need them. Rya knots tied in wool rag weave have a shaggy texture. Rya woven boat blankets from Finland and Norway, and old rag coverlets from Finland and Russia inspire me. Rough and shaggy weaves were meant to function like animal hides, for warmth, and I like those textures. I am interested in very old Scandinavian design motifs, Tree of Life, animal and botanical stylized forms, and pre-Christian motifs. (I am a born again post pre-Christian, by way of religion). That is, I'm not a church-goer.
I use new wool blanket remnants, bought by the pound from one of the last midwestern woolen mills. This high quality fabric is one that I have learned how to dye with consistently good results.I keep dye records stapled to little manila cards, with brief notes about the dye colors I used, and very rough proportions. I'm not much of a record keeper, but this is enough to
help me.
Since I like to see a lot of subtle color variations in my rugs, especially in the same rug, this method of saving color recipes works for me. Many shades of a color are much more interesting to look at than the same shade woven all the way through. Think of the many shades of color as the light filters down through the tree leaves as you walk on a path through the woods. Many shades of color on your path! This is color that is alive. I want my weaves to look alive. If I were painting, I'd need to blend lots of colors, and use many shades. Weave rag like a painter.
Another advantage of wool dyeing is that I usually need only dye 1/2 yard pieces. I have a designated stainless steel kettle with a lid that I use for dying. It holds a 1/2 yard piece at a time, with plenty of room for slosh. The size of the piece is easy to handle.
Though there are dyes meant just for wool (for instance Lanaset) I prefer to use Procion fiber reactive dyes, heated with salt, and vinegar, per instructions, for my dye bath. Use a mask when measuring the dry dyes, and wearing rubber gloves may be a good idea, too. I simmer the wool, stirring frequently with a wooden paint stick, until nearly all the dye is absorbed. This can take 1/2 to one hour. I like to let the dye bath cool then, while occasionally stirring the wool. Since my wool rugs are washable, it's important that the dye is color fast, and fade resistant. This is especially important to me for colors which often run, like red. Procion dyes are very economical to use on wool, since a little goes a long way with most colors. They are versatile and can also be used with soda ash, and cold water to dye linen and cotton. The dye bath can be disposed of down the drain safely. It is often almost clear.
I rinse the new dyed wool in warm first, and then cool water, then line dry. It's best to do this in spring, summer and fall. But I also dye in winter. And it is dependably fun to make some new colors to weave.
Saturday, October 25, 2008
Dyeing, again
My next rug is going to be a combination of shades of bright hungarian paprika red and dark chili powder red. I have an appetite for this color, especially at this time of year. I dye the wool pieces in approximately 1/2 yard chunks, to fit the stainless dye kettle I use. There are some variations between each kettle, which is an effect I try to accomplish by changing the color mix a little for each batch. The differences are subtle, but the mixture of close colors across the surface of the rug is much more vibrant than a rug made with a single color. Exciting the eye is what I'm after. My favorite dyes are Procion fiber reactive dyes, because they are quite safe to work with and dispose of, and are also very light and wash fast. With red, this is especially important. My wool rugs are washable, so I don't want any running reds.The blanket wool I use is a beautiful quality, and quite thick to begin with. To make a 22" X 36" rug I need a little more than 2.5 lbs of wool. This is useful to know when I'm custom dyeing, because I don't make more than I'll be using.
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