Showing posts with label wool. Show all posts
Showing posts with label wool. Show all posts

Tuesday, May 15, 2012

Elin's on Monday


Elin lives here now, and she asked us to lunch. Her wool rugs are made with sheep fleece she dyed and had spun around a jute cord at a local woolen mill.  The weaves are point twill, and the rugs she is making are thick, with nuanced color,  and they are beautiful.
There was wine to drink, too. Olga showed us some weaves from Africa collected by her son.  We think they are made of fine strips of bark.  After lunch, Elin took us into her her small dye works.  



Monday, April 25, 2011

Rag mad








More we're not out of the woods yet rag and yarn panels, in Rosepath. When I have woven enough of them I plan to sew them,  cushion covers, and a deerskin bottomed sack, probably a back pack. My fascination with thready, raggedy weaves isn't wearing off. I hope I never find my way out of this woods. (On a walk up the road today, I practiced a little skipping, which felt pretty good).

Sunday, January 31, 2010

Mary Meigs Atwater: Hope for Ragweavers

In any community, no matter how small,
 there is an income in the weaving of rag rugs.
 This is not very interesting work,
but it leads to better things.

Mary Meigs Atwater,  Shuttle-craft Courses in Weaving, 1922

The truth is some of us will get stuck on rags.  The sun came out just as I was tying on the last bouts of a black, 12/6 Swedish cotton rug warp, threaded in Rosepath, again.  25 yards of fresh warp on the loom seems loaded with possibilities.  I'm weaving wool rags cut from my wool remnant from Minnesota's Faribault Mills.  Most of it I hand dyed.  Almost 28 years on in my weaving career, and I feel no urge to leave rag weave behind for better things.

Sadly, I discovered when I tried to order a new supply of blanket remnant from Faribault Mills, that the company closed last year.  It was founded and run continuously since 1865.  That's the Civil War, mind you.   It was a mill that processed wool by the bale, carded, washed, dyed, spun into yarn, wove beautiful blankets on huge looms, finished, packed and sold the product, all in one factory.  It was one of the last mills in the US to process the raw wool straight through to the finished textile.

The only thing missing in the factory was the flock of sheep.  I am devastated. I don't know the reason the mill closed, other than the terrible economy, but it is a terrible loss.  And now my supply of  wool rags seems especially precious.

Tuesday, January 26, 2010

Mittens for Haiti






Barb Monroe, who keeps chickens, and knits in Dell, wants to help Haiti. I'd like to help her do that.   She knit these 5 pair of mittens, and would like to donate the purchase price of $45 / pair of mittens
to help Haiti.

Each pair is handknit wool yarn, in traditional Scandinavian knitting patterns.  She reversed pattern colors on the front and back of the mittens. They are medium ladies' size,
 except for the pink and gray "Spring Beauty" pair, which are ladies' small.

 The Mittens (top to bottom) :

Dutch Blue (med.size, Teal and offwhite)  SOLD
Here Comes the Sun (med. size, gold and tangerine) SOLD
Pines (med. size, pine green & deep grape)  SOLD
Thistle (med. size, violet and fog gray)
Spring Beauty (small size, pink & gray)
$45. / pair   SOLD

 She will donate the money from the sale of these mittens to
Partners in Health (a relief organization that has been helping Haiti for over 20 years).

If you'd like to know more about the mittens, or
would like to order a pair,
email me:  susan@avalanchelooms.com






Saturday, March 28, 2009

Cup o' Color





Wool rag is my favorite material to weave into rugs, runners and coverlets. Strips are narrow, about 1/2 inch wide, and cut only as I need them. Rya knots tied in wool rag weave have a shaggy texture. Rya woven boat blankets from Finland and Norway, and old rag coverlets from Finland and Russia inspire me. Rough and shaggy weaves were meant to function like animal hides, for warmth, and I like those textures. I am interested in very old Scandinavian design motifs, Tree of Life, animal and botanical stylized forms, and pre-Christian motifs. (I am a born again post pre-Christian, by way of religion). That is, I'm not a church-goer.

I use new wool blanket remnants, bought by the pound from one of the last midwestern woolen mills. This high quality fabric is one that I have learned how to dye with consistently good results.I keep dye records stapled to little manila cards, with brief notes about the dye colors I used, and very rough proportions. I'm not much of a record keeper, but this is enough to
help me.

Since I like to see a lot of subtle color variations in my rugs, especially in the same rug, this method of saving color recipes works for me. Many shades of a color are much more interesting to look at than the same shade woven all the way through. Think of the many shades of color as the light filters down through the tree leaves as you walk on a path through the woods. Many shades of color on your path! This is color that is alive. I want my weaves to look alive. If I were painting, I'd need to blend lots of colors, and use many shades. Weave rag like a painter.

Another advantage of wool dyeing is that I usually need only dye 1/2 yard pieces. I have a designated stainless steel kettle with a lid that I use for dying. It holds a 1/2 yard piece at a time, with plenty of room for slosh. The size of the piece is easy to handle.

Though there are dyes meant just for wool (for instance Lanaset) I prefer to use Procion fiber reactive dyes, heated with salt, and vinegar, per instructions, for my dye bath. Use a mask when measuring the dry dyes, and wearing rubber gloves may be a good idea, too. I simmer the wool, stirring frequently with a wooden paint stick, until nearly all the dye is absorbed. This can take 1/2 to one hour. I like to let the dye bath cool then, while occasionally stirring the wool. Since my wool rugs are washable, it's important that the dye is color fast, and fade resistant. This is especially important to me for colors which often run, like red. Procion dyes are very economical to use on wool, since a little goes a long way with most colors. They are versatile and can also be used with soda ash, and cold water to dye linen and cotton. The dye bath can be disposed of down the drain safely. It is often almost clear.

I rinse the new dyed wool in warm first, and then cool water, then line dry. It's best to do this in spring, summer and fall. But I also dye in winter. And it is dependably fun to make some new colors to weave.

Tuesday, October 28, 2008

Making Wood



For several years I have made a small faux birch woodpile in my store when the firewood season arrives.

Birch is my favorite tree, which I like to imitate in rag weave, this time with a rosepath threading. The pillow weft is mainly wool blanket wool, with supplemental rag bits cut from a black and white linen checked weave. The log ends are soft cocoa-colored blanket wool, machine embroidered.

This time I sewed the pillow together, lacing the selvedge edges around the pillow form, then sprinkled the whole pillow with warm water, and tumble dried it in the hot dryer, so it shrank perfectly to fit the pillow form. Yes, perfectly. Which gives weight to the idea that sometimes things work out as planned.

Wednesday, September 3, 2008

My Good Donkey










The old warp is done now, long live the new taupe and white 12/6 Swedish cotton warp I plan to tie on and pull through. I love this offset diamond twill weave with the wool blanket remnants, because it is so deeply textured, and because it makes the diamond grid eccentric.
The gray and olive rug, with linen headers, was woven out to 63 inches but lost 4 inches when it went through the hot cycle of the dryer.

Testimonial: here is the little loom that does its work so reliably and well, a homely little donkey Kessenich loom I bought used in 1982. I do not know how many rugs I have made on this good loom, but they have been good rugs.

See what my daughter Ursula, and her husband, Craig, have made!
My daughter is a weaver. Good work, Ursula and Craig.

Wednesday, August 20, 2008

black and white, and wool all over

Now I know it takes 5 lbs of wool blanket remnants to make this. I panicked when I began weaving it, thinking, what if I don't have enough on hand? and purchased an extra 20 lbs. I may be making a batch of black rugs in the near future. For weavers who might be interested, the rug is woven in a 4 shaft double binding weave (not a true double weave, because the layers are interconnected) but took at least 4 long days to weave. The rug has been dampened and tumble dried twice, at high heat, to full it, and to de-lint the cut wool rags. The rug lost 4 " in length, and 1/2" in width after drying.
Final measurement 29.5 in x 5.5 ft. This is the first in at least a pair to be woven before Sept. 1.

Saturday, August 16, 2008

downstairs


Here is the start of a set of wool rugs, woven in Swedish double binding, a 2-layered block weave. I've been wool gathering, and winding warps, calculating, and threading for the last week, so I'm happy to be weaving at last. The blocks are 10" square, but I'm weaving them long so they'll be square when they're finally cut off the loom. To finish, I'll dampen them, then dry them in a hot dryer. I'm cautiously optimistic about the project at the moment.

Wednesday, August 13, 2008

bitter sweet chocolate


I have been weaving, in fact, I weave everyday. Here is my chocolate wool rug, the first in a series of 2 color wool rugs. The rugs are sized 22" X 3 ft, and 22" X 6 ft, proportions that I like in this style of rug, long and narrow. My next 2-color rug will be gray and olive, possibly.

Tuesday, June 3, 2008

All My Eggs in One Basket Again






I'm constructing a new piece of spaced linen warp and rya knots. The warp is bleached 16/1 Swedish linen, and unbleached 20/2 (if I remember right, since the label has dropped off).
I'm making the knots of paper yarns from Habu, and Finnish paper yarn I brought home from Finland. I fine cut some organdy rag, and just added some knots out of white mohair. This is fun, but slow, slow.

Thursday, April 24, 2008

The Little Rabs





As you can see, I have been making some little rabs. These are wet-felted wool bodies, with wired arms and legs, also felted. The little rabbit apron dresses are reversible and feature crocheted ties at the neck and middle. The little rab pants are also lined, and reversible.

I have been using a sweet collection of Japanese narrow woven cotton, some linen, and a little silk to dress the rabbits.